Theoretical notions on sound
Amplitude, Frequency, Wavelength, sound propagation
The sound
recording equipment (the different microphones) The different audio formats: destructive, non-destructive or compressed.

Software interface
Interpretation of the various menus and graphics
The various workspaces
Organization of the menus
Basic operations: playback, pause, selection, control of the playback head. The different selection tools
Creating a project and importing audio data
Preparing and checking levels
Recording audio data
Creating and using markers
Recording and saving the project
Using the workshop template sessions
: on different audio files, playback, import and corrections general or detailed volume. Export in different audio formats.

Getting started and using the racks menu (non-destructive effects):
– amplitude and compression
– delay and echo
– diagnostic
– filter and equalizer
– modulation
– noise reduction / restoration
– reverberation
– special
– stereo imaging
– sound time and pitch
Make vary a parameter over time

Workshop: application and adjustment of different sound effects. Audio corrector test to « clean » a sound. Testing various sound effects.

Reading peaks
Versifying audio levels
Fading in and out
Adding or removing gain
Level normalization
Removing audio clicks
Removing unwanted sounds
Diagnosing and removing background noise

Workshop: using the appropriate effects clean up background noise different audio files and normalize their volumes.

Display of the audio band via peak or spectral frequency
Definition of colors in audio data
Selection of audio frequency on the spectral frequency
Choice of the appropriate selection tool:
Selection rectangle
Brush
Spot color corrector for a finer selection of the frequency

Workshop : using the selection tools, analyze and clean up unwanted noise on different audio files.

Preparing the equipment
Checking and adjusting the sound card and the microphone
Opening and detailed discovery of the sequencer interface
Monitoring and adjustment option of tracks
Definition of a recording time zone (punch in punch out)

Workshop: Recording a voice-over

Working with an Adobe Premiere Pro project
Integrating a soundtrack on video editing
Switching to audition via Dynamic Link
Applying the remix function:
Analyzing the timbre of the rhythm and harmonies
Adapting the speed of the clip during the editing
Adjusting the options advances (timbres, harmonics, …)

Workshop: on an adobe assembly, first readjustment in hearing the duration of an audio tape during editing without manual cuts or sample

Pre-mix a file in adobe premier pro:
Pen tool for audio file level
Mixing audio tracks for normalization
Adjust audio keys via bezier curves
Output to audition without any modification of parameters:
Native or third
– party audio effects Images – automation keys
Track routing and downmixing and chronological metadata

Workshop: on an Adobe edit first re-adaptation and classification of audio tracks via the essential audio panel. adjustment and modification of audio effects and corrections, improvement of audio workflow via essential audio.

importing video files
Using the « edit audio for video » interface
Adding different types of audio tracks in the sequencer:
Sound effects
Voice
Soundtrack
Improving voices with the essential audio window
Working in track mode to adjust levels
Effects on the elements
Effects on the tracks

Workshop: mixing of a soundtrack and vocals on an imported video file. sound cleaning and volume normalization.

Modification of a sound file
Modification of a complete sequence via the edit menu of premier pro using the xml file
Final export of the video from audition via Adobe Media Encoder

Workshop: from an adobe editing file first pro modification of the tracks in audition. use of the diagnostic palette. final export from audition via adobe media encoder.

Essential keyboard shortcuts
Create audio processing sequences
Use batch processing
Modify or add metadata